Patricia
Buck
EDUCATION:
| 1996 | MASTER OF FINE ARTS, Experimental Studio; Howard University, Washington, DC |
| 1984-89 | INDEPENDENT STUDIES, Painting & Design; the Open Program, Corcoran School of Art, Washington, DC |
| 1979 | INDEPENDENT STUDIES, Painting; Key West Community College, Key West, FL |
| 1973 | BACHELOR OF ARTS, Studio Art; The University of Maryland, College Park, MD |
| 2000 | SOLO EXHIBITION, New Work, EDGE Gallery, Denver, CO |
| 1998 | GENETICS/MEMETICS. Installation at Pirate Alley: A Contemporary Art Oasis, Denver, CO |
| 1997 | BIG WOMEN. Fifteen new paintings at Pirate Alley: A Contemporary Art Oasis, Denver, CO |
| 1993 | NEW WORK. In conjunction with the Washington Project for the Arts, "Open Studio Program", Washington, DC |
| 1991 | HOLDING THE SACRED. Alla Rogers Gallery, Washington, DC |
| PAINTINGS OF THE I CHING. Arnold & Porter, Washington, DC | |
| 1990 | GLYPHS AND DIPTYCHS. Washington Project for the Arts, "Open Studio Program", Washington, DC |
| 1989 | METAMORPHOSIS. Washington Project for the Arts, "Open Studio Program", Washington, DC |
| 1980 | FIFTY EMOTIONAL STATES. Rockville Municipal Center Mansion, Rockville, MD |
| 1997 | COLORADO FELLOWSHIP IN PHOTOGRAPHY. Anderson Ranch, Snowmass, CO |
| 1995-96 | INDIVIDUAL GRANT-IN-AID (Painting). DC Commission on the Arts and Humanities, Washington, DC |
| TRUSTEE TUITION FELLOWSHIP. Howard University, Washington, DC | |
| 1995 | HAYSTACK MOUNTAIN SCHOOL OF CRAFTS. Deer Isle, ME. Technical Assistant to Paula Winokur |
| 1994-95 | SPECIAL TALENT FELLOWSHIP (Painting). Howard University, Washington, DC |
| 1994 | TECHNICAL ASSISTANCE GRANT (Painting). DC Commission on the Arts & Humanities, Washington, DC |
| HAYSTACK MOUNTAIN SCHOOL. Deer Isle, ME. Technical Assistant to Marjorie Moore (painting/drawing) | |
| 1993-94 | TRUSTEE TUITION FELLOWSHIP. Howard University, Washington, DC |
| 1993 | TECHNICAL ASSISTANCE GRANT (Painting). DC Commission on the Arts & Humanities, Washington, DC |
| INDIVIDUAL GRANT-IN-AID (Painting). DC Commission on the Arts & Humanities, Washington, DC | |
| 1991 | TECHNICAL ASSISTANCE GRANT (Painting). DC Commission on the Arts & Humanities, Washington, DC |
| GRANT-IN-AID (Painting). Rauschenberg Foundation, Change Incorporated, New York, NY | |
| CRITICS GRANT (Painting). Vermont Studio Center, (Recommended by Sam Gilliam), Johnson, VT |
COMMUNITY SERVICE:
| 2000 | DENVER SCHOOL FOR THE ARTS, Artist in Residence, Denver Public Schools, Denver, CO |
| 2000 | LOGAN STREET ARTIST STUDIOS, Building Purchase Committee, Denver, CO |
| 1999 | ASSISTANT to David Griggs, public artist, Denver Colorado |
| 1998 | SELECTED, Artist Consultant Resource List for Art-In-Public-Places Program, Fort Collins, CO |
| APPOINTED by C.C.A. to serve on Public Art Selection Committee, Aurora Community College, CO | |
| 1997-98 | EXECUTIVE DIRECTOR, Alternative Arts Alliance a 501(c)-3 non-profit arts organization. Denver, CO |
| 1997 | JUROR, "Passion Plague: Life, Art, Death", the Fourth Annual AIDS Awareness exhibition, EDGE GALLERY, Denver, CO |
| 1995 | TOWN MEETING. Washington Project for the Arts, Washington, DC |
| 1993 | PUBLIC PRESENTATION, New Genres & Photography Exhibition, Arlington Arts Center, Arlington, VA |
| 1984-93 | PARTICIPANT. Open Studio (average attendance 75-100 people) sponsored by the W.P.A. |
| 1991-92 | EDITOR & BOARD MEMBER. EyeWash, The Artist's Newspaper, Washington, DC |
| 1991 | THARSIS STATION, MARS 2098. Collaborative installation for W.P.A. "A World's Fair Event", Washington, DC |
| 1991 | PRESENTATION "FIFTEEN MINUTES". Washington Project for The Arts |
| 1988-91 | PARTICIPANT. Washington Artists Coalition Congresses |
| At the Crosshairs, Washington Artists in Perspective. Westbeth Gallery, New York, NY 1991. | |
| Figure As Image, Figure as Symbol. TouchStone Gallery, Washington, D.C. 1987. | |
| Woman as Myth and Archetype. Washington Women's Art Center. 1982. | |
| Women's Tools. Washington Women's Art Center. 1981. | |
| The Eye of Mae Stevens. Washington Women's Art Center. 1981. |
COLLECTIONS:
| State Public Art (Direct) Purchases: Colorado Electronic Community College, 1998. Front Range Community College, 1999. | |
| Joseph Hirshhorn, 1981, bequeathed in 1984 to the Smithsonians Hirshhorn Museum, Washington, DC | |
| Private collections in twelve states. Shea & Gardner , 1987 and 1992. |
|
2001
|
SELF IMAGE: Self-Portraits by Colorado Artists, Arapahoe Community College, Littleton, CO |
| THE FLAG SHOW, Edge Gallery Artist Cooperative, 11th Anniversary Exhibition, Denver, CO | |
|
2000
|
BLUE LIGHT SPECIAL, Edge Gallery, Denver, CO |
| DECADE, Edge Gallery Artist Cooperative, 10th Anniversary Membership Exhibition, Denver, CO | |
|
1998
|
TWENTIETH ANNIVERSARY PIRATE MEMBERS & ASSOCIATES; Group exhibition, Pirate Gallery, Denver, CO |
| FELLOWSHIP RECIPIENTS EXHIBITION, 1995-97; DC Commission on the Arts & Humanities, Washington, DC | |
| AMERICAN GIRL WAR, Emerging Forms (Invitational), Edge Gallery, Denver, CO | |
|
1997
|
COLORADO CONTEMPO. Andrew Krieger/National Gallery, Gwen Chanzit/Denver Art Museum, Andra Archer/AIPP: jurors, Republic Plaza, Denver, CO |
| BEST SHOTS. Photography Exhibit. Core New Art Space, Denver CO. Hal Gould, Camera Obscura Gallery, juror. | |
|
1996
|
THESIS EXHIBITION. Howard University, Washington, DC |
| GUARDIAN. District of Columbia Arts Center, Washington, DC (Jerry Smith, curator), Washington, DC | |
| HOWARD UNIVERSITY GRADUATE/UNDERGRADUATE EXHIBITION. Washington, DC | |
|
1995
|
HOWARD UNIVERSITY GRADUATE/UNDERGRADUATE EXHIBITION. Washington, DC |
|
1994
|
SPIRITS DANCING: Winds and Waters. Women's Caucus for Art, Omphale Gallery Calumet, MI |
| WOMAN. Congresswoman Eleanor Holmes Norton's Constituent's Office, Washington, DC | |
| INTERNATIONAL WOMEN'S MONTH. The World Bank, Washington, DC. | |
| WOMEN'S CAUCUS FOR ART, EXCHANGE SHOW. Graphic Traffic, Annapolis, MD, | |
| CREATIVE SOLUTIONS. Margery Goldberg, juror. Arts 901 Building, 901 E Street, NW, Washington, DC | |
|
1992
|
NEW GENRES & PHOTOGRAPHY. (Philip Brookman, juror). HERS: INSIDE/OUTSIDE. Interactive, walk-in installation 15'x15'x12', 50-minute audio loop. Collaboration with Menucha at Arlington Arts Center, Arlington, VA |
|
1992
|
POSTCARDS THEN AND NOW. Brody's Gallery, Washington, DC |
| ANNUAL ART AUCTION. Work donated for exhibition and sale to benefit the W.P.A., Washington, DC | |
|
1991
|
PAINTING '91. (Susanna Leval, juror), Arlington Arts Center, Arlington, VA |
| THREE ACTS: PAINTING, SCULPTING, DRAWING. (Angela Adams, juror), Rockville Arts Place, Rockville, MD | |
| AT THE CROSS HAIRS: WASHINGTON ARTISTS IN PERSPECTIVE. WCWCA, WestBeth Gallery, New York, NY | |
| OUT OF BOUNDS: Images of Exploration and Discovery. National Conference, WCA, Washington, DC | |
|
1990
|
ARTIST'S EQUITY 5TH MEMBER AWARDS EXHIBIT. (Willem De Looper, juror), TouchStone Gallery, Washington, DC |
| BAUHAUS EMERGING ARTIST MULTI-MEDIA SURVEY. The BAUhaus, Baltimore, MD | |
| INTL MAIL ART SHOW. "Expression/Oppression: Global Awareness", Academy of Fine Arts, Fine Art Gallery, S.F., CA | |
|
1988
|
SECRETS. Invitational Exhibition, Gallery 10, Washington, DC |
|
1987
|
FIGURE AS IMAGE, FIGURE AS SYMBOL. TouchStone Gallery, Washington, DC |
|
1984
|
ABSTRACT PAINTINGS AND SCULPTURES. Gallery K, Washington, DC |
|
1982
|
WOMEN EXHIBITING IN BOSTON. Boston City Hall, Boston MA |
| WOMEN AS MYTH & ARCHETYPE. (Mary Beth Edelson, juror) Wash. Women's Art Center. Washington, DC | |
|
1980
|
GANG OF FOUR, 4-person exhibition, The Olshonsky Gallery, Washington, DC |
|
1997
|
ABSTRALUSIONS, 3-person exhibition, Cayo Heuso Gallery, Key West, FL |
ARTIST
RESIDENCIES:
| 1996 | ANDERSON RANCH. "Photographic Storytelling," with Jim Goldberg, (artist/author of Raised By Wolves) and Philip Brookman, (curator of Photography & New Media), Corcoran Gallery of Art, Washington, DC) |
| 1995 | HAYSTACK MOUNTAIN SCHOOL. Technical Assistant to Paula Winokur (ceramics), Deer Isle, ME |
| 1994 | HAYSTACK MOUNTAIN SCHOOL. Technical Assistant to Marjorie Moore (drawing/painting), Deer Isle, ME |
| 1991 | VERMONT STUDIO CENTER. Work/study fellowship in painting. Johnson, VT. |
COLLABORATIONS:
| 1993 | HERS: INSIDE/OUTSIDE. Traveling installation with a constructed sacred space, floor canvas, throne, participatory journal and 50-minute audio-tape. Third in a series of collaborations with Menucha. Parent's Association Gallery, Stamp Student Union Building. University of Maryland, College Park, MD |
| 1991 | MONDO FUTURO: A WPA WORLD'S FAIR EVENT. Collaborative installation of Tharsis Station Mars, 2098 for Washington Project for the Arts, at Furioso Arts Building, Blagden Alley, Washington, DC |
| 1981 | WOMEN'S TOOLS. (Linda Roscoe Hartigan, juror). Catalog. Washington Women's Art Center, Washington, DC |
| 1996 | PERFORMANCE/POETRY READING. Howard University, Gallery of Art, Washington, DC |
| 1994 | MATRICIST PASSAGES, Installed Ritual Tableau with sound/poetry. Howard University, Washington DC. |
| 1991 | SONOLUMINESCENCE, solo performance with original music by the artist in collaboration with Ruth Stenstrom, WestBeth Gallery, Westbeth, NY for "At the Crosshairs, Washington Artists in Perspective" |
AWARDS
& HONORS:
| 1996 | GRADUATE FIRST PRIZES, Experimental Studio & Ceramics. Howard University, Washington, DC |
| 1995 | GRADUATE FIRST PRIZE, Ceramics. Howard University Graduate/Undergraduate Exhibition |
| 1991 | FINALIST. "Outstanding Emerging Artist", the Mayor's Art Awards, Washington, DC |
| 1991 | ARTISTS TALK ABOUT ART. Panelist selected by David Tannous, regional critic for Art in America, Maryland Hall for the Arts, Annapolis, MD |
| 1990 | SECOND PRIZE (Painting). Artist's Equity 5th Annual Membership Exhibition, Willem De Looper, juror. |
| 1970 | J.P. WHARTON AWARD FOR EXCELLENCE IN ART. University of Maryland, College Park, MD |
| 1997 LESBIAN CONNECTION Cover artwork, distributed internationally. | |
| 1998 THE WORLD BANK INTERNATIONAL WOMEN'S MONTH, Cover art/4-color, distributed internationally. | |
| BROADCASTS: 1993 Davis, Robert Bill Dunlop and Peggy Cooper-Cafritz airing video-tape and audio from "Hers: Inside/Outside" at AACAubrey. "Around Town", WETA/PBS, Channel 26, March 11, 8:30 PM. Panel discussion with |
| Chandler, Mary Voelz, "Hanging onto threads" Spotlight, Rocky Mountain News, December 4, 1998; P. 15D. | |
| Chandler, Mary Voelz, "Drawing from peers" Spotlight, Rocky Mountain News, August 25, 1998; P. 6D. | |
| Chandler, Mary Voelz, "Get a taste of untamed lands and sacred sites in the city" On Art, Spotlight, Rocky Mountain News, June 26, 1998; P. 15D. | |
| Chandler, Mary Voelz, "Critic's Choice" - ART, Spotlight, Rocky Mountain News, May 18, 1997; P. 3D. | |
| Chandler, Mary Voelz, ART, "Galleries exhibit `major' savvy", Weekend Spotlight, Rocky Mountain News, May 16, 1997; P. 12D. | |
| McCoy, Mary. "A Full Display of 'New Genres", Visual Arts Virginia Weekly The Washington, Post, March 11, 1993; P.8. | |
| Keler, Kathy. "Holding the Sacred" New paintings, EyeWash Artist's Newspaper, November 1991; P.1. | |
| Rotner, Sheila. "Paintings of the I Ching", EyeWash Artist's Newspaper, February 1991; P.1 | |
| Figura, John. "SPEAKEASY", (re: 'Figure as Image, Figure as Symbol exhibition), Touchstone Gallery, 1987). New Art Examiner, March 1990; P. 13 | |
| Drake, Audrey. "New Work by Patricia Buck", EyeWash Artist's Newspaper, October 1989; P.4 | |
| Grant, Kim. "Figure as Image, Figure as Symbol", REVIEWS East Coast, Washington, DC. New Art Examiner, February 1988, P. 60 | |
| Forgey, Benjamin. "Past of Color", Washington Post, July 5, 1984; P. B7 | |
| Forgey, Benjamin. "Women as Myth", The Washington Post, May 27, 1982; P. D7 | |
| Richard, Paul. "The Wizard of Time", The Washington Post, December 12, 1981; P. C3 |
TEACHING
EXPERIENCE:
| 2000 | DENVER SCHOOL OF THE ARTS, Artist in Residence, Denver Public Schools, Denver, CO |
| 1998 | VISITING ARTIST CRITIC, University of Colorado, Boulder, CO |
| GUEST LECTURER, Metropolitan State College, Denver, CO | |
| 1997-98 | COLORADO ACADEMY, Photography (On-call). Denver, CO. |
| 1995-96 | GRADUATE ASSISTANT, Howard University, Washington, DC |
| 1995-96 | MANAGER, Photo Laboratory, Howard University, Washington, DC |
| 1995 | TECHNICAL ASSISTANT, Ceramics, Haystack School of Crafts, Deer Isle, ME |
| 1994 | TECHNICAL ASSISTANT, Painting and drawing, Haystack School of Crafts, Deer Isle, ME |
| 1980-81 | PRIVATE INSTRUCTOR, Painting. Washington, DC |
AFFILIATIONS:
| EDGE Gallery, (Member) Denver, Colorado. 1999-2001 | |
| PIRATE Gallery (Associate), Denver, Colorado. 1996-99 | |
| Colorado Artist's Registry, Boulder, Colorado. 1996-98 | |
| Colorado Lawyers for the Arts, Denver, Colorado. 1997 | |
| Denver Art in Public Places, Slide Registry, Denver, Colorado. 1996-98 | |
| College Art Association, New York, New York. 1995-98 | |
| Howard University Alumni Association, Washington, DC. 1996 | |
| Washington Project for the Arts, Washington, DC. 1981-96 | |
| Women's Caucus for Art, Washington DC Chapter. 1985-96 | |
| School 33, Baltimore, MD. 1987-1994 | |
| Washington Coalition of Artists, Washington, DC. 1989-96 | |
| National Artists Equity |